Colors of Incredible India
Called “a pianist’s pianist” by The New Yorker, Cecile Licad’s artistry is a blend of daring musical instinct and superb training. Her natural talent was honed at the Curtis Institute of Music by three of the greatest performer/pedagogues of our time: Rudolf Serkin, Seymour Lipkin and Mieczyslaw Horszowski. Licad’s large repertoire as an orchestral soloist spans the Classical works of Mozart and Beethoven, the Romantic literature of Brahms, Chopin, Tchaikovsky, Schumann and Rachmaninoff, and on to the 20th century compositions of Debussy, Ravel, Shostakovich, Prokofiev and Bartok.
Cecile can be heard in her recently released album titled “Music of the Night: American Nocturnes” (Danacord). The album is the second volume of her critically acclaimed Anthology of American Piano Music, which explores lesser played music of American Composers. Of the Anthology, Pianist Magazine wrote “To hear a master pianist like Cecile Licad tackle these works is a luxury not often granted when unknown piano music is concerned. It’s usually left to the second-division pianists to be dragged into the studio to record the ‘outsiders’. Not so here.”
Ms. Licad’s recent engagements included the Nashville Symphony’s summer season playing Tchaikovsky’s Piano Concerto at the opening concert; Liszt’s Concerto No.1 and Totentanz in the Cultural Center of the Philippines with the ABS-CBN Symphony; a recital at the Husum Rare Music Festival in Germany, as well as at Festival Miami; Rachmaninoff’s Piano Concerto No. 2 with the San Antonio Symphony under Sebastian Lang-Lessing; Rachmaninoff’s Variations on a Theme by Paganini with the Rhode Island Philharmonic, under Lawrence Rachleff; returns to the Buffalo Philharmonic and the Adrian (MI) Symphony orchestras; performing with the Northwest Sinfonietta in Seattle and Tacoma, as well as the Tupelo Symphony; and recitals in Boston’s Isabella Gardner Museum and at the Harvard Musical Association, also in San Jose, CA and in Bogota, Colombia.
A memorable highlight was her collaboration with the Wynton Marsalis Septet performing the music of Louis Moreau Gottschalk to accompany the feature film Louis, a silent film homage to Louis Armstrong which premiered in Chicago’s Symphony Center and was also seen at the Apollo Theater in New York City as well as in Detroit, Bethesda and Philadelphia. The project was repeated in London with two performances in Barbican Hall followed by a recording of the live music at Abbey Road studios.
Licad has toured in Germany in past seasons with the Wurtemburg Philharmonic and appeared with the Freiburg Orchestra performing the Shostakovich Concerto for Piano and Trumpet, She has appeared in North America with orchestras such as the Chicago Symphony, Boston Symphony, Philadelphia Orchestra, New York Philharmonic, National Symphony, Los Angeles Philharmonic, and many others. In Europe she has played with the London Symphony, London Philharmonic, Bayerisches Rundfunk Orchestra, and Orchestre de la Suisse Romande and the Moscow State Academy Symphony. In Asia, she has performed with the Hong Kong Philharmonic, New Japan Philharmonic, Tokyo’s NHK Symphony and her native Philippine Philharmonic. Among the conductors with whom she has collaborated are Claudio Abbado, Andrew Davis, Charles Dutoit, Kurt Masur, Sir Neville Marriner, Zubin Mehta, Seiji Ozawa, André Previn, Gerard Schwarz, Michael Tilson-Thomas, David Zinman, Pinchas Zukerman, as well as the late Sir Georg Solti, Eugene Ormandy, and Mstislav Rostropovich.
Cecile Licad has performed in recital with Murray Perahia, Peter Serkin and Nadja Salerno-Sonnenberg, with whom she has appeared at Lincoln Center, Orchestra Hall in Chicago, and the Kennedy Center, respectively. She also performs with cellist Alban Gerhardt in Germany and in the US. She appeared as soloist in the Steinway Piano Sesquicentennial Celebration at Carnegie Hall, performing six Rachmaninoff songs with tenor Ben Heppner, and has made television appearances with Mstislav Rostropovich.
As a highly regarded chamber musician, she has performed regularly with ensembles such as the New York Chamber Symphony, St. Paul Chamber Orchestra, Guarneri Quartet, Takacs Quartet, Chamber Music Society of Lincoln Center, and Music from Marlboro. She also appeared as guest soloist on tour with the Orpheus Chamber Orchestra in Leipzig, Hamburg, Dusseldorf and Cologne, among other European cities.
Her summer festival appearances have included Caramoor, Tanglewood, the International Music Festival of Seattle, Mostly Mozart Festival (in both New York and Tokyo) as well as the Santa Fe Chamber Music Festival, La Jolla Chamber Music and Eastern Music Festival. She has also performed at the Great Mountains Music Festival in Korea.
On the Music Masters label, Licad released a recording of three works by Ravel: Le tombeau de Couperin, Gaspard de la Nuit, and Sonatine. She has an all-Gottschalk recording on the Naxos label. And on Sony Classical, she has recorded Schumann’s Carnaval, Papillions and Toccata in C Major; and Rachmaninoff’s Piano Concerto No. 2, and Rhapsody on a Theme of Paganini with the Chicago Symphony, conducted by Claudio Abbado. Her Sony Classical release of Chopin’s Piano Concerto No. 2 and Saint-Saens’ Piano Concerto No. 2, with André Previn conducting the London Philharmonic, was awarded the Grand Prix du Disque Frederic Chopin. Angel/EMI produced her solo all-Chopin recordings, which include Études, op. 10. Also for Angel/EMI, she recorded, with Nadja Salerno-Sonnenberg, the Franck Sonata in A Major, the Brahms Sonata No. 2 in A Major, and Sonatensatz in C Major.
Cecile Licad began her piano studies at the age of three with her mother, Rosario Licad, in her native Philippines, and later studied with the highly regarded Rosario Picazo. At seven, she made her debut as soloist with the Philharmonic Orchestra of the Philippines. As one of the youngest musicians to receive the prestigious Leventritt Gold Medal, Ms. Licad won immediate international recognition, and her career was launched.
Celebrate the 1st Baguio Chinese Mid-Autumn Festival (Moon Festival) at the Baguio Museum.
Mid-Autumn Festival is an inherited custom of moon sacrificial ceremonies. The ancient Chinese observed that the movement of the moon had a close relationship with changes of the seasons and agricultural production. Hence, to express their thanks to the moon and celebrate the harvest, they offered a sacrifice to the moon on autumn days. This is also the second most important holiday after the Spring Festival (Chinese New Year)
Join the celebration and witness the line up of activities: Lion Dance, Painting Exhibit and Demonstration, Moon Cakes, Chinese Traditional Dances, etc.
“OPM Revisited: Mga Awit ng May Hugot,” a concert series paying tribute to Original Pilipino Music, is scheduled for a two-day run, Oct. 5 and 6, in Baguio.
Starring award-winning classical singers Kay Balajadia-Liggayu, Jasmin Salvo and Jan Briane Astom, with Paul Casiano as accompanying artist, the series kicks off with cocktails on Oct. 5 at Canto at 32 Kisad Road, Baguio.
Canto has lined up a special menu for the occasion that highlights what is abundant in the city market: salad microgreens with assorted vinaigrettes, two kinds of seviche, buttered mushrooms, roasted oyster mushrooms, smoked sausages in Benguet mulberry wood, cheese board with bread sticks, shoestring potatoes, dried fruits, among many. These will be paired with strawberry wine or beer. For non-alcoholic drinkers, there’s tea, coffee or lemon and mint iced tea.
Among the songs to be sung are folk songs like “Rosas Pandan and “Malinac Lay Labi,”
kundiman like “Pakiusap,” “Mutya ng Pasig” and “Kundiman ng Luha,” music from the movies and telenovela like “Maalaala Mo Kaya,” “Sa Kabukiran,” “Sana’y Wala Nang Wakas.”
On Oct. 6, the show will move to the University of the Philippines Baguio’s Teatro Amianan for a matinee performance at 4 p.m. Admission is free.
For the Canto event, text or call Dimps Blanco to reserve a seat: 0915-888-3525.#
The songbook consists of hits by composers Jerome Kern, George Gershwin, Cole Porter and Oscar Hammerstein for the first part. Tthe second and last half features songs by Leonard Bernstein, Marvin Hamlisch, Stephen Sondheim, among others.
Among the songs to be sung are: “Embraceable You,” “I’ve Got Rhythm,” “Someone to Watch Over Me,” “Smoke Gets in Your Eyes,” “So in Love,” “Some Enchanted Evening,” “If I Loved You,” “Maria” “Tonight,” “What I Did for Love,” “Send in the Clowns, “Defying Gravity,” “Seasons of Love.”
The performers are tenor Jan Briane Astom, sopranos Mheco Manlangit and Jasmin Salvo, alternating pianists Gabriel Paguirigan and Ricardo Abapo.
Schedule of performances: May 25 at 4 p.m at the University of the Cordilleras Theater; May 26 at 6 p.m. at the University of the Philippines Baguio Teatro Amianan; and May 27 at 1:30 p.m. (by invitation only) at the University of Baguio Centennial Hall. The UC and UPB concerts are open to the public.
A production of Cultural Arts Event Organizer, Guacamole Productions in partnership with Sizzling Plate and Mother’s Garden
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